the mythical liquid pegasus returns - this time on clandestine boogie, firmly setting out his stall as one of the best around when it comes to modern synth boogie. ‘makin it hot opens up proceedings, synth stabs and squelchy basslines a plenty, married with layers of intricate melodies and a vocoder transported straight from the 80 s. matt hughes takes on remix duties converting that squelchy bass synth into a more straight up funk bass guitar, adding shuffling high hats and weaving in a little jazz flute for added effect. on the flip side it s prime low rider cruising courtesy of sparkle combining a full-bodied bass, cosmic pads and woozy synth flurries to create a soundtrack perfect for late night coasting. to close out the e.p. dave allison adds his own sparkle to the track, upping the tempo, adding a range of hazy arps and sweeping synthesis alongside a perfectly executed bass breakdown, taking sparkle from midnight cruiser to boogie bomb.

seductive and cinematic soundscapes between ambient, drone and indie-neoclassical music: these are the best words to describe hior chroniks style and his new album released on 7k! in december 2017. 7k! is the sister label of !k7, dedicated to cutting edge musicians and composers in neo-classical, modern composition and experimental music. on this limited 12?, hiors music is reworked to melodic club tunes by budapest based & uprising producer gnork & new yorker lauren ritter on the flipside. gnork recently had his tune u included on lones dj kicks & has been releasing on lones label magicwire, as well as unknown to the unknown, black venison or crow castle cuts. lauren ritter is an active member of brooklyns underground, organizing events with resolute, playing coveted slots at institutions like output and cielo, and opening for respected talent such as raresh, moderat, thomas melchior, zip, kate simko to name a few.

weapons of mass destruction was one of the last eps by nur jaber , which is best known in berlin for its residence at the techno-matinee staub . this could be heard slammender, dry techno with sometimes disturbing vocals – hope sounds different. more precisely: hope sounds like the first longplayer of the native lebanese. if only – a state of peace still carries a conditional in the title, but the music on the nine tracks speak very directly of a better world. inspired by the herbaceous-cosmic sound of the berlin school, ambient and ambient techno in all its facets and the friendlier side of the artificial intelligence tradition, the osf unites-mit operator on their debut album a variety of styles, which are translated into an equally sensible as multi-layered narrative. peace, that would be something for a change.

first time on heavy weight blue vinyl for this iconic best of from 1971. features the singles get it on, hot love, ride a white swan, by the light of a magical moon and jeepster. contains a download voucher.

the first track on annas debut ep for novamute , razor was born while playing with her roland mks-80, a synth from 1985 and one of annas favourites. you can hear the fat, juicy sound on the breakdown and ever evolving throughout. the track has already been getting a great reaction when played out in her sets. escapism plays with trippy arpeggios that lay down the atmosphere for the whole track, it feels really dense and trippy but still powerful, making use of heavier drum sounds for the groove. the last track on the ep dreamweaver, is a simple track that always works well on the dance floor. anna reworked this track many times before deciding to strip down the beat and focus on the final sequence, sometimes the simple ideas are the ones that work the best.

the saqqara ep is a multilayered, sonic canvas from the mind of chris barratt, as he launches his new alias, baratt, for life and death. fine brushstrokes move from all areas of his musical hideout, spreading over five, varied, aural sculptures, each one warping and weaving on its own cosmic trajectory. pooling from key aspects of his eagles & butterflies project, barratt induces new musical shades, hinting at moments of disco and funk, through a lens of psychedelia. the title track is a late-night floor-filler - a bold yet uniquely personal necropolis built from riveting delays and arpeggiators. time bending sees dj tennis join in, stepping up with his trademark, rough around the edges production aesthetic, en route to unknown destinations. barratt hones-in on a confident, stripped-down style on khaos - rhythm versus melody just in time for festival season. 1983 soundtracks a ride to utopia on a rocket-fueled vespa, leading to collider, the land of un-quantised madness, where the most treasured of synthesisers live amongst their drum machine counterparts. flowing yet incredibly interconnected, saqqara is best interpreted as a mini artist album - the first of many barratt offerings.

london based artist ben vince is best known for his minimal & transcendent saxophone soundscapes. with assimilation we find ben treading new ground with his recorded output, moving away from the limitations of solo saxophone, instead embracing collaboration and communication to forge new paths. whilst vince’s sax work still undeniably holds ‘assimilation’ together, the new territories explored by working with an artistically diverse range of collaborators allows new life and influence to flow through ben’s work. the album features collaborations with micachu (mica levi), rupert clervaux, merlin nova, valentina magaletti, and cam deas. ben vince has also recently collaborated on a 12inch with joy o (forthcoming on hessle audio).

!k7 are pleased to announce forest swords as the next curator of the ever essential dj-kicks series. following acclaimed albums on ninja tune and tri angle, soundtrack and installation work, and remixes of the likes of bjork, matthew barnes aka forest swords has curated a 25-track compilation that draws a line between past inspirations and his current peers. like much of his own output, his dj-kicks skirts around pristine electronics and embraces more organic textures: 80s post punk (anna domino, dead can dance), classic 90s british electronica (orbital, mira calix), and smokey digi-dub (rhythm & sound), all rub up alongside some of the most forward-facing producers working today (demdike stare, laurel halo, fis). the compilation sifts through rhythms, shifting speeds and emotions: from pop icon neneh cherrys primal thudding to the zombified throb of exclusive forest swords track crow via deena abdelwaheeds clattering deconstructions to the euphoric two-step of djrum. its a collection of tracks that feels as restlessly curious and weighty as barnes own work. the double vinyl release includes a download code.

tony clarke did his first recording in new york in 1971 at hugh hendricks recording studio called -righteous man- of which he played both bass and lead guitar. tony clarke decided to write the song “going home” to reference the roots of his music. in those days and even now good reggae music that was being recorded in the united states was not receiving the approbation from home because, in jamaica they felt that the best reggae music could only come from and be created in jamaica to substantiate the true feeling of the genre. so he decided to go back to jamaica and record “going home” at harry j studio with sylvan morris as engineer. he also recorded the cover version to “hey little girl” originally done by dee clark. for this 12 vinyl edition, the artwork was done with a vintage photo of tony clarke in front of his house at waterhouse and extended liner notes on the back cover.

following afrobeat makers vol.1 (sold out), comet is pleased to announce the second volume of the afrobeat makers collection, due for release in june this year: the tony allen’ original afrobeat patterns revisited by few of the best international dj/producers, with among them: doctor l (paris), thiago franca (sao paulo), mps pilot (amsterdam), or gnowee (paris) tony allen has spread afrobeat to the corners of the globe, a perfect synthesis of tradition and sophistication – his various collaborations with great artists from all genres and styles are a truly proof of his openness. doctor l, paris based music producer, is a sound activist going through the musical galaxies, fusioning from 80’s punk rock, to hip-hop, electronica and afrobeat ... in 2000, already on comet records, he brought lagos afrobeat towards the third millennium with the album black voices by tony allen, and even send it to the moon, with his other project, psyco on da bus. since 2002, dj/producer mps pilot (nl) has immersed himself in the cutting-edge tropical bass scene. in every possible direction and slippage between all different genres, mps pilot maps the crosspollination and divergence of contemporary music. he performed on 3 continents, both in remote desert or major festivals. thiago franca is a producer, musician and saxophonist from são paulo arts scene, this year with his power afro-punk trio meta meta, they released for the first time in europe (mais um discos -uk), their debut album metal metal. thiago is meanwhile developping his african rooted solo outfit, sambanzo, and was also in criolo’s touring band for two years, where he met tony allen, which led to two collaborations on the the afrobeat makers and meta meta’ albums.

the second release on kons officially licensed kontemporary imprint is here this time he takes on one of disco s anthems to devastating effect, deftly reworking sylvester s evergreen over & over. a true dance-floor bomb, over & over is just one of those records, originally written by the legendary team of ashford & simpson its inevitable that this jam oozes class. kon has lovingly freaked the original master tapes into 2 brand new, fresh versions that will undoubtedly find their way into any self-respecting disco freaks dj set. on side a we have his found a friend remix, a beautifully reimagined and restructured version that leaves lots of space and let s those wonderful strings really soar, finally crescendoing in total disco glory! it s no wonder that the mighty dj harvey has been closing his sets with this one. pure class. on side b we are treated to an amazingly bold dub mix, in keeping with the traditions of the classic labels, west end, prelude, fantasy and co, its sparse, melodic and contains just enough juice to keep the people dancing and asking for more! this is an essential official release, 2 future classic mixes from one of the world s best remixers further sonically enhanced by boston native caserta on the mix. licensed courtesy of the concorde music group.

after the release of brazilian disco boogie sounds (fvr098), favorite recordings follows-up, this time focusing on its homeland language. helped by a close connoisseur friend, dj and collector charles maurice presents a fine selection of what he thinks represent best the amazing energy of this specific movement and period. with 10 rare titles, all produced between 1975 and 1984, he shows a perfect picture of what you could find in french record stores at that time, on one hand, tracks by overdrive, marché noir, didier makaga or france-lise, were produced by underground artists and labels from the french caribbean and african community and also filled with the raw spirit of this tropical stamping. on the other hand, tracks by beckie bell, kelly, le club, or bernard guyvan, were released by major labels such as trëma, carrere, disques vogue, or pathé marconi, thanks to confirmed independent producers, acting not only in france, but also in canada and the us. today, favorite recordings and charles maurice are very proud to shed some light again on these gems, and hopefully offer them a new life on your turntable

the historic label from frankfurt will re-issue some of the best records from the catalogue! starting with atom heart - pure function from 1995. essential record!

mount liberation unlimited strikes back! after releases on tim sweeneys beats in space label and everyones favourite oddball house institution studio barnhus, the swedish duo, consisting of tom lagerman and niklas janzon, land on planet permanent vacation. body language is the fifth release for mlu and you can feel that they have been places and come some ways, since their debut ep in 2014: this ode to dancing sees lagerman and janzon heading into more pop-y territories than before. the swedish version is a full on pop disco track with rich instrumentation and infectious vocals that underline mlu’s status as one of the best disco and house live acts around these days. while the mouth mix is the swedish interpretation of chicago house and gets even more physical with its drum-heavy beats and computerized vocals. for your karaoke party and to round up the package, we also included the instrumental of the swedish version. rocka din kropp!

a freshly constructed something analog disk has landed on planet earth in good faith and with the target to shift emotions, bones and your interiors. join the overall thrilling tune of this 12? with open ears and it will flow neat-sticky through your ready made receivers directly into intuitive grounds with the purpose to move, amaze and captivate. the sounds on stephan laubners new something vinyl are raining down straight out of deep blue skies. its unusual approach is coming nice yet mind-boggling and will vibrate your inner corners as soon as youve spotted the musical language within these stl translated rills. experimental circuits entangled with friendly sick delightful noises are navigating the record grooves of this lovely vinyl from first touchdown, up to the loop driven never-ending eternal endings. its like a cat-eyed walk with your exclusive night vision goggles in well known districts, deep down to the center or your senses. stls patched up noise has been machined and operated solely with modular gear plot-wise, and also includes those infamous stl drum momentums and dirty dim trademark touch, that you can find nearly everywhere with his sound sculptures. something vinyl series 30 is ready now to broadcast from your turntables, in order to send out joy & sincere emotions. it will silently knock on your secret shelter with the best & positive intentions.

originally released in ‘06/’07 as the appetizer to only built 4 cuban linx ii, the vatican mixtape series consists of a vast collection of unreleased tracks, wu & solo classics (“shame on a ni**a”, “diesel”, “ghetto boy”, & “yae-yo”), as well as some of rae’s best guest work through the years (“the heist”, “brown paper bag”, & “bump bump”). volume 3 features verses from fat joe, tek & steele, ill bill, and several wu-tang brethren including, ghostface killah, masta killa, & inspectah deck. this 2xlp is the first time this volume and series gets pressed to wax, and features completely new artwork for a fresh look.

originally released in ‘06/’07 as the appetizer to only built 4 cuban linx ii, the vatican mixtape series consists of a vast collection of unreleased tracks, wu & solo classics (“shame on a ni**a”, “diesel”, “ghetto boy”, & “yae-yo”), as well as some of rae’s best guest work through the years (“the heist”, “brown paper bag”, & “bump bump”). volume 1 features verses from busta rhymes, roc marciano, nas, & several wu-tang brethren including rza, ghostface killah, method man, & ol’ dirty bastard. special guest production contributed by large professor, pete rock, madlib & scram jones. tying everything together is dj riddler, who weaves several skits & blends throughout, giving it that official mixtape sound. this 2xlp is the first time this volume and series gets pressed to wax, and features completely new artwork for a fresh look.

telegraph presents «classics» a concept serie available on vinyl only including tracks released during the past 20 years – all tracks are re-mastered and cut in a 160 grams vinyl for a brand new listening experience. for the vol.1 we choose nothing but the best with tracks from robert hood, daniel bell and ben nevile originally released on the post office compilation back in 2002. enjoy!

kennedys 2007 record identify yourself was the beginning of a close relationship between him & token and has remained fruitful through the 11 years of tokens existence. he is now long-recognized as an integral contributor to tokens output, the label is the indisputable natural home for his sixth album. strata progresses through levels of ornate drama showing off the best of his melodic manipulation and creativity in sound design.

as a logical next step after big crown’s excellent (and sunny-approved) mr. brown eyed soul compilation from september, the label has started digging into the vaults of sunny’s key-loc records label to unearth some legit soul classics – which are hard to find even in san antonio, and clean originals will cost you a pretty penny if you ever luck into one. the album has been remastered and includes original album art.
the band is tight, the sound is honest, the vocals are dusky and deep, and the album is an undeniable soul and texas music classic, ready to be discovered by a whole new generation of music fans. dive in and be ready for a permasmile, thanks to that patented sunny sound.

a repress of our & co. ep, which was originally released in 2015. features both a rub-n-tug remix and a force of nature remix of the title track best of friends. on side a is a remix from the once new york based dj duo rub-n-tug. a2 is from the japanese dj duo force of nature. both are fitting to remix the title best of friends since we feel they are close to us. on the b side, we have the sought after original best of friends track and wine cooler bianca chandon presents & co. & co. started out as a small group of friends who surfed and skateboarded together. as they hung out in venice and shared their interests and ideas about music, sounds started to take shape. what started off with no intentions of being anything serious began to develop, inspiring music composer alberto bof, music advisor paul t. and music coordinator alex olson to think about avenues of release. inspired by a seigen ono record put out for comme des garcons in 1988 olson got the idea to release the trio s project under his brand bianca chandon. this limited 12 has embodied the spirit of the creators and the motivation of the brand to become bianca s first record release.

over the course of four unforgettable eps released on throne of blood since 2013, hardway brother sean johnston has cultivated a broad international following for his singular brand of dancefloor fodder. best known as one half of legendary dj team a love from outer space alongside the one-and-only andrew weatherall, johnston’s roots in the dance music scene include a clutch of leftfield 90’s era bangers on labels like sabres of paradise and flashcomm. beyond his original output, johnston has also remixed the likes of man power, the asphodells, museum of love, split secs, clandestino and many more. the laser ep is peaktime hardway bros business. friedman feedback loop revision (a nod to tob boss james friedmans highly-valued opinions) is a masterclass in efficient simplicity, elevating a few basic loops into an exhilarating 8 minute monster. the laser rounds out the a side with a classic electro rhythm/bass/vocal sample combo could easily have landed in retro territory. instead, hardway bros easily flips a clutch of oldschool tricks into an utterly modern execution. the b-side finds tobs label manager max pask injecting friedman feedback loop revision with his love for all things analog and italo. with his impressive collection of synths brought to life by chinatown records brennan green, the song is transformed into an epic set closer thats already devasting dancefloors like berlins panorama bar. the ep closes with afro sirene, a midtempo groover with melodic arpeggios built for the discerning djs warm-up set.

classic pop songwriter nick heywards critically acclaimed ninth album, woodland echoes, harvested an abundance of rave reviews from critics and fans alike. an album of exceptional warmth and intimacy full of paeans to nature, it debuted at no. 4 on the official independent album chart. described by mojo as a top 10 single and the best track on the album, the stars is the third single from woodland echoes and is heywards first exclusive for record store day. its echo of itchy pop-funk recalls his early days as frontman of new wave group haircut 100, a foundational part of the 80s pop explosion. exclusive b-side everyone & everything, brings a swirling psychedelic 90s vibe to the nature pop fest and carries on the stars theme of our universal interconnectedness with everything. limited rsd 2018 release on transparent 10 inch vinyl with download code included.

45th anniversary vinyl reissue of sandy’s third solo lp (1973) hasn’t been pressed since 1986. considered by many to be her best solo release, it features musicians from her fairport days, including richard thompson on guitar, contains the track solo, one of very finest compositions and probably her best known after who knows where the time goes? fans would welcome the return of this album to the racks. mastered from the original tapes, pressed on clear 180 gram vinyl.

the debut offering from singer mark wystrach, lead guitarist jess carson and bass player cameron duddy, collectively known as midland. midland is the embodiment of seventies california country, all smooth eagles harmonies and heart-on-your-sleeve lyrics. their songs are intoxicating country sung with the twang of george strait. and it s impossible to resist. their no. 1 hit single “drinkin’ problem” earned best country song and best country duo/group performance nominations for the grammys 2018. if there was a perfect country album which combined those traditional sounds with modern hooks for me then this is it! (six shootercountry). this vinyl is only available in the uk as part of record store day.

looking for a hardcore hip-hop addition to your record store day 2018 list? well, x gon give it to ya! this 15th anniversary reissue of ruff ryder dmxs best-selling single comes on blood red vinyl, and also features party up (up in here) and the instrumental of the title track.

legit reissue of ted taylor s long sought after -ghetto disco 12inch excavated from the deepest realms of the tk disco vaults! funky, rough round the edges in the best way, tough ghetto disco grooves here from 1977, delivered by the mighty ted taylor who was originally a blues singer from oklahoma. pairing taylor s soul-steeped voice with the sunshine-state production values of the legendary wardell quezergue ( mr big stuff , groove me & more!), this ones a dance-floor sure-shot. never has a track been more aptly named. this is a proper underground jam, one that, until now, was the preserve of the heads, diggers and disco freaks. the eagle eared out there among you might recognise it from a certain underground hip-hop cut, answers on a postcard please! pure disco heat from miami, yet again. a bonafidetk disco classic! remastered, represented and brought back into focus for 2018s dj bags and dance-floors! as usual, these tk represses are always done in the proper manner. 100% legit from the archive, remastered and released in conjunction with henry stone music/tk disco - miami fl.

vienna-based producer sam irl popped up on our radar a couple of years ago following stellar releases on jazz & milk, but honestly we should have been paying far closer attention as this guy has been making the best crunchy, mpc-driven jazz-infused house music dating right back to 2006. ep’s for s3a’s sampling as an art and collaborative projects with patrick pulsinger and dusty have won him fans including gilles peterson (leading to a release on brownswood), mr scruff and session victim amongst many others. his live sets have also seen him perform at the hallowed grounds of panorama bar and sonar festival. for his debut ep here on freerange sam has delivered four tracks which perfectly showcase his production skills and knowledge of what makes a dance floor tick, kicking off with title track rain technique. quirky keys and a playful groove help build a warm and charming vibe, light and bouncy yet deep and driving enough to get your dance on to. trust follows with loping, lopsided percussion forming the basis of the groove, sparse rhodes pads punctuating the beat and adding just the right musical element to the mix without cluttering the beats or compromising the sense of space. flipping over we have all thats left which sees sam utilising his trusted tr606 for some lovely snappy snares and sizzling hihats. chiming arpeggios join the repeating chord riff creating another simple yet uplifting and playful mood which cant fail to get under your skin. closing the ep we have a wonky, shuffling house track which once again shows sam proving less is more, sampling his key elements into the mpc and jamming out the arrangement in a live and improvised way which brings a fresh, somewhat naive appeal to the production.

helrad limited is a scottish-based electronic dance label and has been created by helrad for releasing underground techno tracks. the pivotal aim is to provide and focus the efforts on selecting top quality pieces of production. the first release is produced by the label owner helrad and containing one track and 2 loop based dj tools with dope and atmospheric analog synth sequences. also, three stunning and fantastic remixes produced by some of the best producers in the underground scene. legendary techno veteran and techno maestro steve stoll , who recently produced on nina kravitz ’s golden trip records, delivered a storming and powerful dark, proper techno remix with a tremendous and massive effect on the dance floor arena. stanislav tolkachev ,techno pioneer from ukraine who has recorded on top-notch labels, such as semantica and mord records, handed over an experimental and psychedelic minimalistic dj friendly remix with magnificent modular analog synth sequences which can easily flirt with the crowd’s mind. hans bouffmyhre , sleaze records owner and established artist within the worldwide techno scene deliveres a top class remix with his unmistakable bass drum, in addition to an organic arrangement and epic ethereal pads and chords.

grego after all’s underthesea is back with an ep by the polish artist eltron, who has been a big supporter of the label’s vision since the beginning, headlining its inaugural party and contributing to its podcast series. ‘le volte’ is his first release for the label, including three original cuts and a remix by the canadian producer basic soul unit. eltron is probably best known for his quirky, playful, driving house sound with roots in disco, as illustrated in his productions here. the narrative of ‘le volte’ starts with ‘la prima’, full of anticipation and discovery as we set out to explore a new oceanic territory. once the clock strikes two, we find ourselves in a sub-aquatic discotheque with ‘un’altra’, dancing to the rhythm of classic chords revisited with a contemporary touch. meanwhile, ‘l’ultima’ represents a voyeuristic peek into the world of seductive mermen. finally, when basic soul unit gets his hands on ‘la prima’, he transforms the track with complex drum patterns and whirlwind pads with a sense of empowerment to conquer the mood of any dancefloor.

one of the best album in 2018 - skee masks endless search and fascination for fresh music, weed and burgers channeled into his own vision of sound. enjoy the ride through his second album, a detailed experimental universe of a young dedicated hustler.

acupressurist and electronic composer sam mcclellan s music of the five elements is a work of perfectly tuned healing music. originally released in 1982. tip! . a deeply felt distillation minimalism (in the tony conrad / la monte young school), american primitive guitar (fahey & basho) and even psychedelia. the album is a continuous sound voyage for voice, synthesizer, guitar, bowed bass, piano, effects and ciao (chinese flute) all played by mcclellan himself. although divided into sections, the journey is best undertaken as a whole, without distraction

back in 1962 when this, their third album was released, the group consisted of smokey, ronnie white, pete moore and brother and sister bobby and claudette rogers. while he had yet to be featured in the billing by name that came in 1965 robinson’s photo was top and centre of the lp cover. the ten songs featured barely amounted to 27 minutes of music, but what i ll try something new may have lacked in quantity it more than made up for in quality. and the reason was clear. six of the ten songs stem from robinson s pen five solo efforts and the sixth, closing track this i swear, i promise , a co-write with janie bradford. let s savour an album that, as one perceptive critic put it, features the miracles at their early best... as young, eager kids just starting out, filled with optimism, youthful exuberance and enthusiasm, long before record-company politics, favouritism and restrictions changed the group forever.

after recent outings from the likes of felix leifur and tlim shug, frits wentink is back on his own bobby donny label. his previous releases have been solo affairs but this time he is in collaboration with tristan hallis aka dj boring. the origins of london based dj & producer lie in australia, where he was raised and cultured amongst some of the most interesting musical phenomena of the 21st century a1 is an inventive tune with bristling drums and break beats run through with warped vocals, razor sharp hi hats and mellow padts deep but dynamic and will get you on your toes. b1 then chops up more trippy vocal samples and curious synth sounds with elastic, pinging kick drums and makes for something woozy yet groovy and full of intrigue. last but not least, b2 channels classic deep house vibes with balmy pads, garage style percussion and more slick drum work that really brings something fresh. this is a trio of cuts that bring the best out of each producer and results in truly original music.

this is maurice fulton at his best! the much sought-after remix of alice smiths love endeavor now lovingly reissued on 12inch, complete with the instrumental mix. the a side sees fulton elevate the original from summertime neo soul jam, into a chuggy dancefloor masterpiece. reimagining the killer bassline, stripping back the elements and teasing the vocal until the full force of alices voice is let loose in one of the best breakdowns around. the flip side houses the instrumental remix giving you the choice to let fultons craftsmanship shine without the vocal. either way this record is guaranteed to whip any crowd into a frenzy!

dropping on rekids this may, butch remixes good luck - basement jaxxs ubiquitous 2004 single featuring lisa kekaula. appearing on kish kash, basement jaxxs third studio album, the unforgettable single was nominated for a grammy in the best dance recordings category and also reached number 12 on the uk singles chart and number 2 on hot dance club play in the us. good luck also featured as the opening theme of 2004 anime movie appleseed, victoria’s secret fashion show in 2003 and 2005, and a version without lyrics was used for the opening sequence of bbc’s uefa euro 2004. real name bu&#776,,,lent gu&#776,,,rler, german producer butch has been a formidable force within house and techno for over two decades, enchanting crowds from all across the globe with his technical performances. highly regarded for producing compelling grooves, his releases have appeared on labels like desolat, cocoon, rekids and sei es drum, not to mention collaborating alongside virginia, c. vogt and ricardo villalobos (as butric). receiving regular early support from villalobos, butch has provided three different renditions of good luck and the remix is a rhythmic roller from the off, featuring numerous elements from the original whilst generating a cacophony of percussion as kekaula’s iconic voice is chopped and looped – the result is highoctane and geared for the dancefloor. the dub strips things back, purely using segments of the vocal for instrumental purposes as a whirring bassline joins deep synths and mesmerising effects. tying it all together, the drum tool is a high-tempo percussive cut produced for peaktime dj sets

superhuit music presents boogymann’s 7th concept album: boogymann & friends. boogymann & friends is an eight track concept album comprised of two parts: with remixes from the original album delight and other previously unreleased tracks that are best described as strong funky house music. the two eps combine influences ranging from deep to disco sounds of the elite level world renowned house producers such as: gene king, james duncan, manoo, david duriez, rocco, dan electro and boogymann himself. after six albums, teo -boogymann- moritz returns with this concept album and once again showcases his status as one of the greatest dj/producers for the global house dancefloors.

superhuit music presents boogymann’s 7th concept album: boogymann & friends. boogymann & friends is an eight track concept album comprised of two parts: with remixes from the original album delight and other previously unreleased tracks that are best described as strong funky house music. the two eps combine influences ranging from deep to disco sounds of the elite level world renowned house producers such as: gene king, james duncan, manoo, david duriez, rocco, dan electro and boogymann himself. after six albums, teo -boogymann- moritz returns with this concept album and once again showcases his status as one of the greatest dj/producers for the global house dancefloors.

wed like to introduce you to this giant of musical endeavour, the colossus of rio, as hes known. for eds sweetly agreed to be our point man on all matters smooth for this latest tstd collection, where we take a dive into an often overlooked side of brazilian music: brazilian soul, funk and aor. the 180 gram double vinyl is housed in a gatefold sleeve with download code included.

after successful releases with labels such as rawax, taped artifact & thule records, the two icelandic techno titans bring us yet another intriguing release.a ohm is best known for his releases on force inc with his long-time partner exos and as an inventive techno dj. octal industries, a veteran who has already gained a reputation within the idm community under his ruxpin pseudonym, returns yet again to his origins with collaborating with ohm, a pioneer of the within the icelandic scene. bardo ep offers us four enigmatic & atmospheric techno tracks with intricate soundscapes and otherwordly chords. from the ethereal sounds of bardo to the hard hitting flow machine, a this ep works as an essential choice for both the dancefloor as well as for dancefloor within your mind.

as fabrice lig has contributed to the kanzleramt history – we are returning the favour and congratulate with this release to his 25th stage-anniversary! black stone is taken from universal tech ep of 2003 (ka089 12inch | digi). its powerful sequence was always considered as one of the best ever to be exposed on kanzleramt. so more than deserving and about damn time 3 new black stones emerge: polished into an epic set-starter or the jet-black time-lapsed grinding and compressing in the earth’s crust or raw acid washed. heiko leaves the choice to you.

the italian dj and producer viels is the perfect example of a promising artist who has earned his stripes in the scene. his first contribution to dynamic reflection was a single track on a va two years ago, then a solo ep on the nursery last year and now it s time for his first well-earned vinyl called distrophism. although his sound has matured over the years, he has never compromised as far as his straight forward sound goes. circular, the a1, is the best possible example of that. the continuous drive keeps it going for well over seven minutes, without ever becoming superficial or dull. the b-side extends to other sides of his musical spectrum by making use of more drone-like, hypnotic elements. beside these three convincing originals, spanish heavyweight svreca jumps in for a remix of circular, completing the variance of styles. needless to say, this new release, proves that viels as an artist and this ep in particular, are forces to be reckoned with.

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alex.do is best known as part of the dystopian collective, where he works alongside scene leaders such as rødhåd and recondite in pursuing a focused strain of contemporary club music loaded with emotional depth to match its functionality. this attitude comes through in spades on dusted, where do presents a selection of tracks that tap into all four corners of the night.

the sixth instalment of slow motion s retro-futuristic international-sister label is the debut release of mysterious russian producer fakundo. this record sits at the heavier end of our musical spectrum and is brimming with hard-hitting electro swagger that conjures up a dystopian video-game underworld, the best bits of alien sex fiend and comes atop a whole bunch of wobbly baselines. not for the faint of heart this record is a total dance-floor destroyer.

d arabias first outing on house of disco is a sax heavy affair with 3 remixes from some of the best in the bizz.

another powerful double 12” from the current noir music catalogue. techno prime-timers as its best.

rsd 2018 exclusive release - limited to 1 copy per customer! zero 7’s debut album ‘simple things’ sold over a million copies and was nominated for the mercury music prize and the band as best newcomer at the brit awards. the album featured singers sia, sophie barker and mozez. ‘when it falls’ followed with the same guest vocalists along with danish singer tina dico. their third album ‘the garden’ was nominated for a grammy award with singers jose gonzalez and sia. two further albums ‘yeah ghost’ and a best of ‘record’ completed their time with atlantic records.

the next release on moreaboutmusic comes from one of chicago houses best kept secrets, often name checked by legends such as mike dunn, marshall jefferson, glenn underground and tyree cooper to name a few. a dj and producer, hugo grew up during chicagos heyday, at one point living with mike dunn and tyree cooper, where they would spend their days producing and recording tracks on the 808, 303 and 909, along with any other equipment they could get their hands on. the on to another time ep showcases hugos talents, giving you two straight to the jugular acid tracks with in, out & in (part 1) and in, out & in (part 2) with the flip seeing the mood shifting slightly with the deeper vibe of on to another time, the ep finishes up with a cut up disco joint the beat goes creating a solid ep and an excellent introduction to hugo h